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Samoan Material Culture

Chief's basket

Chief's basket

The best twilled basket seen was given to Bishop Museum by Tuitele of Leone (Plate XIV, C, 3). Both the dextrals and sinistrals were supplied by two midrib strips treated by the double twisting method described with the laulau platters. (See fig. 93.) Closed leaflet wefts were used and after the orthodox horizontal twilled twos of the fa'a'au commencement, sinistral threes and dextral twos were used and then vertical rows of twill ending in horizontal rows of twill.

The closing of the bottom presents a new ornamental motive. The first course is braided in the usual way, finished off with a free tail, and knotted. In the second or outer course, plaited with the remaining free weft ends on either side, a five-weft plaited strip is made instead of the usual three-ply braid. The wefts, which started off with a width of 0.4 inches, by the time they reach the full depth of the basket are 0.3 inches in width, and it is thus possible to make a neat braid with the narrower material for the turns and twists. The five-ply braid is shown in detail in figure 106.

Figure 106.—Basket ('ato'afa), five-ply bottom finish:

Figure 106.—Basket ('ato'afa), five-ply bottom finish:

a, the orthodox commencement of a three-ply is made by crossing (2) over (1) and (3) over (2). b, Instead of twisting the back ply (1) over (3) and picking up the next free weft from the left to add to the middle ply, as in three-ply braiding, the back ply (1) is left for the time being and the free weft on the left (4) is crossed over (3) to form a fourth ply. c, The back ply (2) on the right is left as it is and the next free weft on the right (5) is picked up from under (2) and crossed over (4) to the middle position thus forming five plies with page 201three on the left. d, From now on each movement to the middle position is commenced by the next free weft on the side to which the three plies are directed. The next free weft on the left (6) is therefore picked up from beneath (3) and crossed to the middle position over (5). e, The movement is now completed by adding the back ply (1) of the same side to the middle ply position. To comply with the check technique, it is twined with half turn inwards under the ply in front of it (3) and joins (6) in the middle position. f, The next free weft from the right (7) must now cross to the middle position. Instead, however, of crossing both elements of the last ply (1 and 6), the upper element (1) is raised and 7 thus passes over the last new element (6) and under the old one (1). g, The movement must again be completed by twisting the back ply on the same side (2) with a half turn under the ply in front (4) and adding it to the middle position occupied by (7). In joining (7) it passes over the weft (1). The technique is now established on general lines. h, The next movement comes from the left, where the next free weft (8) is picked up from under the middle ply of that side (5) and crossed to the middle position over the last ply (7 and 2). It is then joined by the back weft (3) making a half turn under the ply in front (5). The next movement is commenced by picking up the next free weft on the right (9) from under the middle ply of that side (6 and 1) and passing it over the lower element (8) and under the upper element (3) of the last ply used as was done in the similar previous movement from that side by the weft (7). Complications have now occurred through the presence of the extra element formed by the weft (1). The orthodox movement already established is to twist the back weft (4) under the ply in front (6 and 1) on its way to join 9 in the middle position. Before completing the orthodox movement, the extra element is twisted over with a half turn to join (9) in the middle position. k, The movement from the right is then completed by twisting the back weft (4) under the weft (6) in front and adding it to the middle ply where it rests on (9 and 1). The middle ply thus contains three elements of which the undrermost one is the last new weft added (9). m, The next movement from the left in imagination is commenced by lifting up the next free weft (10) from under the middle ply on that side (7 and 2) and crossing it over the last ply used (1, 4, and 9) to the middle position. The middle ply on the left has two elements (7 and 2). The upper of these (2) is twisted over directly into the middle position with (10) thus leaving the newer element (7) to form the outer twisting element for a later movement. The back weft (5) is then twisted under the weft (7) in front of it and joins the middle ply. The middle ply formed by such a movement contains three elements (10, 5, and 2) of which the undermost is the last added free weft 10. When the next movement from the right is made, the new free weft (11) will pass over the undermost element (10) and the other elements of the new ply over the other elements of the last ply (5 and 2). The complete technique of the five-weft plait can now be understood. In each movement to establish the now composite plies in the middle position, the new weft element is always placed first. It is thus at the bottom of the ply and is left out for one movement to furnish the outer twisted margin of the braid. The upper elements of the back ply, be they two or more, are all twisted in directly to the middle position, but the lowest element is always left out to form the outer twist. The left-out twist element of the previous ply of that side is then twisted in last under the left-out twist weft in front of it and forms the third and uppermost addition to the middle ply. It thus covers most of the inner twist formed by the extra elements and gives the braid a neat appearance.

When the braid reaches the near end of the basket, the weft elements left are continued on into a three-ply braid tail and knotted. Both tails are carried up on the outer side of the basket ends, pushed through to the inside and then the knots pushed through to the outside.

The basket described (Plate XIV, C, 3), though it has the technique of a superior ola, was used by chiefs to hold sennit braid that had not been hanked. page 202The name given to it by Tuitele was 'ato ofa (basket for sennit). The name is thus merely a functional name describing" the use to which it was put by Tuitele. It could be used for other purposes but was too good to use for fish. Tuitele valued it highly and said the type was only made for chiefs.

The ola baskets used for fishing were also called ola fangota from their use. When used for carrying coconut shell water bottles, they were called ola 'ave vai. A basket used for keeping oil bottles was also called tulula.