Design Review: Volume 3, Issue 2 (September-October 1950)
Sea and Rocks, on the opposite page, comes out better, and there we have a sort of rapid monochrome distillation of all McCormack's studies in the open of objects which he has so often invested with his own particular poetry of light and colour. But here he has got down rather to essential movement and I imagine that in this sketch, after preliminary thought, his brush moved somewhat with the speed of his breaking wave
Sea and Rocks, on the opposite page, comes out better, and there we have a sort of rapid monochrome distillation of all McCormack's studies in the open of objects which he has so often invested with his own particular poetry of light and colour. But here he has got down rather to essential movement and I imagine that in this sketch, after preliminary thought, his brush moved somewhat with the speed of his breaking wave.