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The Pamphlet Collection of Sir Robert Stout: Volume 41

Case No. 1

Case No. 1.

Spoon. The bowl engraved with foliated scrolls, the shaft enriched with filigree work, and set with four pearls. The original, of silver gilt, called "The Anointing Spoon," and used in the ceremony of the coronation, forms part of the regalia in the Tower of London. English. Date, about 1200-50.

'65.-75.

Flagon, with foliated scroll-work, cherubs' heads, in repoussé or beaten work; in front, a cartouche with cyphers of William III. and Queen Mary. The original, of silver gilt, is a sacramental flagon, and forms part of the regalia in the Tower of London. English. Seventeenth century.

'65.—78.

Salver, or Altar Dish. The centre embossed in high relief, with a composition representing the Supper at Emmaus, below which is a cartouche bearing the cypher of William III. and Queen Mary, the margin chased with scroll foliage and cherubs' heads. The original, of silver, forms part of the regalia in the Tower of London. English. Date, about 1690.

'65—79.

Christening Font, with cover, embossed in relief with scroll foliage, natural flowers, and cherubs' heads. The cover is surmounted with a group of figures, in the round, representing Philip baptising the eunuch. Engraved with the crowned cypher of Charles II. The original, of silver gilt, forms part of the regalia in the Tower of London. English. Date, about 1660.

'65.—80.

Salver of Christening Font, embossed in relief with scroll foliage, natural flowers, and cherubs' heads, and engraved with the Royal arms. The original, of silver gilt, forms part of the regalia in the Tower of London. English. Date, about 1660.

'65—81.

Salt-cellar, on high pedestal, chased with foliage and allegorical figure subjects in circular medallions, the summit crowned by a small statuette of a warrior. The original, of silver gilt, forms part of the regalia in the Tower of London. English. Date, about 1560.

'65.—82.

Wine Fountain. The bowl embossed with subjects of marine deities surrounded by cartouche work, the stand or stem decorated with foliage and figures of mermaids. The upper part of the fountain forms a quadrangular pedestal, against each face of which stands a statuette in full relief surmounting a shell. The figures represent Neptune, Hercules (?), with a dolphin, and two sea nymphs. On the summit of the pedestal is placed a statuette of Cleopatra with the asp. The original, of silver gilt, forms part of the regalia in the Tower of London. English. Second half of seventeenth century.

'65.-83.

Tankard, with Cover, embossed with a group representing the loves of the gods. The original, of silver gilt, forms part of the regalia in the Tower of London. Flemish (?). Seventeenth century.

'66.—1.

Salt-cellar. The base embossed with acanthus leaves, with a dome-shaped cover embossed with flowers surmounted by a rudely-moulded figure of a cavalier. English. Seventeenth century. The original, of silver gilt, forms part of the regalia in the Tower of London.

'66.-2.

page 249

Ampulla, or Anointing Cruse, in form of an eagle with wings expanded. The head screws off, and the oil issues through three holes in the beak and nostrils. English. Seventeenth century. (Probably representing an earlier piece.) The original, of gold, forms part of the regalia in the Tower of London, and is used for the oil of consecration at coronations.

'66.-3.

Sceptre, surmounted by the figure of a dove. The original, of ivory mounted in gold and enamelled, is known as the sceptre of Anne Boleyn, but was probably made for Anne of Denmark, the Queen of James I., about 1603, and forms part of the regalia in the Tower of London. English. Seventeenth century.

'66.—4.

Salver. In the centre the Triumph of Ariadne in high relief, the border ornamented with trophies of musical instruments and masks on a trellis of vino leaves and grapes. The original, of silver gilt, was designed by Stothard, and executed by Rundell and Bridge for the Prince Regent, afterwards George IV. It is the property of Her Majesty the Queen, and forms part of the Royal collection of plate at Windsor Castle. English. Date, 1814.

'68.-93.

Vase, or Wine-cooler. Antique classical design, the body ornamented with figures in low relief, the border of grapes and vine leaves, with twisted vine-stock handles. The original, of silver gilt, was designed by Flaxman, and executed by Rundell and Bridge for the Prince Regent, afterwards George IV. It is the property of Her Majesty the Queen, and forms part of the Royal collection of plate at Windsor Castle. English. Date, 1812.

'68.-94.

Vase, or Cup. Antique classical form, with subjects in relief emblematic of the gold and silver ages. The original, of silver, one half gilt, was designed by Flaxman for the Prince Regent, afterwards George IV. It is the property of Her Majesty the Queen, and forms part of the Royal collection of plate at Windsor Castle. English. About 1812.

'68—96.

Cup. The body carved with a representation of the birth of Venus; on the cover are representations of shells, &c. The original, of ivory with silver gilt mounting and gold cover, is the property of Her Majesty the Queen, and fonns part of the Royal collection of plate at Windsor Castle. The ivory carving Flemish (?), seventeenth century. The mounting English, date 1785.

'68.—96.

Elephant. On its back are figures of an Indian god and a driver in Oriental costume. The original, of silver gilt, is the property of Her Majesty the Queen, and forms part of the Royal collection of plate at Windsor Castle. English. Date, latter part of eighteenth century.

'68.-97.

Epergne, or Centre Piece. On a stand with castors, dishes for sweetmeats, &c., and brackets and sconces for candles. The original, of silver gilt, was made for Frederick Prince of Wales, the father of George III. It is the property of Her Majesty the Queen, and forms part of the Royal collection of plate at Windsor Castle. English. Date, about 1750.

'68.—101.