The Liveliest Art

The newly-created Victoria University Film Society has got off to a brilliant start. Since it began its programmes in May, the audience at the weekly screenings has progressively increased from the initial thirty to one hundred and fifty people, and there are signs that as it is still increasing, C.3, which is almost full at each screening now, will not be able to hold everybody comfortably.

The society is at present screening a two hour programme twice a week—on Wednesdays in C.1, and Thursdays in C.3. As they start at 12.15 p.m. and run through the lunch time period they can be seen by a wide section of the students. A screening consists usually of about five shorts and is designed to cover a wide variety of subjects and interests. For instance, past programmes have included such diverse films as Steelworks at Clabecq, the First Prize winner at the 1956 Anvers Festival, which treats the processes in a steelmill in an impressionistic manner; People In The City, the Arne Sucksdorff short about Stockholm; short films featuring the Czech Philharmonic Orchestra, the N.B.C. Symphony Orchestra under Toscanini, and the Bach Aria Group; abstract films by Norman McLaren; art films about Picasso and Calder; and John Huston's mutilated masterpiece The Battle For San Pietro.