Other formats

    Adobe Portable Document Format file (facsimile images)   TEI XML file   ePub eBook file  

Connect

    mail icontwitter iconBlogspot iconrss icon

Salient. An Organ of Student Opinion at Victoria College, Wellington, N.Z. Vol. 2, No. 16. August 2, 1939

[introduction]

"Wake all the dead! What ho! What ho! How soundly they sleep whose pillows lie low!" Not so soundly, for once every year a few selected spirits are plucked from the wormholes of oblivion and given a twelve-minute airing. This happened in the Concert Chamber of the Town Hall on Saturday night when the thirty-third Plunket Medal Contest was heard by a two-thirds capacity house.

It was pleasing to see the majority of speakers choosing to speak on men who had some significance for people living to-day.

The standard of speaking was not as high as it has been in former years. The winning speech was excellent but not outstanding. With few exceptions the speeches were stiff, formal bogus-orations with an overdose of blah. In all cases save one, the style of speaking (as well as two of the characters) came from a period long past. The genuine oration of the twentieth century is not the pontifical utterances of a Pitt, a Sheridan, or a Burke; and as speaker succeeded speaker on Saturday night one couldn't help wishing that a compulsory course of dos Passos was a pre-requisite for Plunket Medal competitors. To read a thumbnail biography such as "William Randolph Hearst" in "The Big Money" gives a clear idea in prose of what a present-day oration can and should be. The aim of the orator is, of course, to stir the emotions of his audience. To do this today it is necessary to speak to the audience instead of across, or at, or in front of them. Ron Meek's speech was an object-lesson in how to do this.

Notes were, generally speaking, much too prominent. The speaker is free to use his own method of speaking, but large sheets of notepaper (especially blue notepaper) surely should be dispensed with.