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Moko; or Maori Tattooing

Illustrations

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Illustrations

Fig. Page
A Chief's tattooing Frontispiece Tomi[unclear: k]a te Mutu.
1. From an original drawing for Captain Cook's Voyages 5
2. From one of Sydney Parkinson's drawings 6
3. Specimen drawn by Sydney Parkinson. One of the earliest known patterns 7
4. Head of a Chief from one of Sydney Parkinson's drawings 9
5. Specimen of a moko signature 10
6. A moko signature. Kowiti, Chief of Waimate and Maunganui 11 Kawiti
7. Sketch of his own moko, drawn by the Chief Themoranga 12 Te morenga.
8. Moko signature on a deed 13 Tuha wai[unclear: k]i
9. Moko signature on a deed 14 Koroko
10. Tattooing on the face of Te Pehi Kupe, drawn by himself 15
11. From a drawing in Dumont D'Urville's Voyages 17
12. Signatures of Chiefs of the Bay of Islands 18
13. Tracing from a thigh-skin in the possession of the Author 20
14. A well-chiselled head, with deep incision 21
15. From life by the Author, showing good nose-marking 22 Te Kuha, or Te mea.
16. Thigh-tattooing 23
17. Body-tattooing 24
18. Thigh-tattooing 25
19. Warrior fallen in the fern 26 Rawiri Tuaiapage xvi
20. A Native Preacher 27
21. A Chief's tattooing: a full face of the portrait given as frontispiece 28
22. A young Chief fully tattooed, bayoneted in left eyebrow 29 Te Ka[unclear: n]i
23. An aged Chief wearing hair over moko 30 Patuone
24. Type of Maori 31 Taraia.
25, 26. Two heads 31 Ane-hana
27. Moko in the war-dance 32 H[unclear: oe]t[unclear: e] Pae ti rori
28. Curious tattooing on a girl's forehead 34
29. Usual tattooing on a Maori woman 35
30. A Maori girl, showing two lines over upper lip. three on lower lip, and ornament on chin 36
31. An old woman. well marked 37
32. Tattooed young 38
33. From Dumont D'Urville's Voyages, c. 1826 38
34. A girl's head from Dumont D'Urville's Voyages 39
35. The same, lip and chin 39
36. From Dumont D'Urville's Voyages 40
37. Curious tattooing on a Maori woman 40
38. Half-caste girl 40
39. From a wooden effigy in the British Museum, showing thigh tattooing on a women. The figure was presented by Sir A. W. Franks, K.C.B. 41
40. Right upper-lip unfinished 42
41. Half-caste and child 43
42. An Albino women tattooed 44
43. A sketch from Angas' book (1846) dyed lacerations at a mourning 45
44. Portrait of a Maori girl 46
45. Usual, tattooing: from a photograph 47
46. Uhi, or chisels in the British Museum (actual size). Presented by Sir George Gray, K.C.B. 48
47. Tattooing instruments (after Polack) 49
48. Tattooing a head 51
49. Tattooing a thigh (after Earle) 54page xvii
50. Vegetable caterpillar, from which a dye is obtained 56
51. Tapued Chief eating with a fern-stalk. (After Taylor) 59
52. A tattooed gourd 60
53. Funnel for feeding a Chief during time of tattooing 62
54. Ancient moko pattern called moko kuri in Mr. J. White's book 64
55. A forehead, Author's collection 65
56. A forehead 65
57. Left half of a forehead 66
58. A forehead, showing signs of post-mortem work, over living work 67
59. Left half of a forehead 67
60. Forehead 67
61. Variety in scroll-work on forehead: a good specimen 68
62. Specimen of coarse moko on forehead; lop-sided or irregular work 69
63. Forehead 70
64. Patterns of moko at corner of eyes 71
65. Marking over bridge of nose 72
66. Over the nose 72
67. Nose tattooing 72
68. Various patterns on noses 73
69. Upper lip and chin 74
70. From a wooden effigy in the British Museum. Remarkable tattooing on lips, unfinished 74
71. Upper lip and chin 75
72. Over upper lip 75
73. Over upper lip 75
74. Upper lip and chin 76
75. On right cheek 76
76. Lines from nostril to chin, from the outer line commences the lower spiral on jaw 77
77. Spirals on right cheek 78
78. Near left ear; good work 79
79. Near right ear 80page xviii
80. Near left ear 81
81. Marking near right ear 81
82. Near left ear 82
83. Near left ear 82
84. Marking near right ear 83
85. Near left ear 83
86. Near left ear 83
87. Near left ear 83
88. Chin patterns 84
89. Chin patterns 84
90. Chin patterns 84
91. A chin pattern 85
92. Chin 85
93. A chin 85
94. Chin 86
95. An unfinished chin 86
96. Chin 87
97. Chin 87
98. Plaster cast of a Rotorua native, 1854 88 Tapu[unclear: e] te Wha[unclear: u]oa
99. Gateway of a Pa, showing a carved head 89
100. End of a staff, showing pattern of thigh-tattooing 90
101. A Maori and the prow of war-canoe: both showing fine carving 91
102. Tattooing on a bone 91
103. Old wooden effigy good thigh tattooing 92
104. Old wooden earring, probably part of a central post in a house at Hawke's Bay, N.Z. 93
105. An old effigy showing body carving 93
106. Old wooden effigy. Fine head and body carving 94
107. Warning figure against trespass on tapued land 95
108. Very old effigy. Fine head 95
109. Wooden effigy of an ancestor 96
110. A block of Kauri gum, carved as a head 97page xix
111. Aranghie; a portrait after Earle 99
112. Portrait of John Rutherford 103
113. A bust of himself in wood by Hongi 106
114. Portrait of Te Pehi Kupe 108
115. E Gnoni, a Chief of Mukou (Lat. 38 beg. S.). Once resident in London. Drawn by himself on the wood 109
116. Wax model of a Maori who died in Guy's Hospital, London 110
117. King Tawhiao, died August 27, 1894 112
118. Maori father and son, the latter without tattooing 121
119. Unfinished moko 122 Paora.
120. Unfinished tattooing 122 Tamati mauao.
121. Unfinished tattoo 123
122. Partly tattooed 123
123. Unfinished tattoo 124 Ramira te Hiahia.
124. Photograph of Maori wearing hair over tattoo 125 Maihi
125. Old man wearing hair over tattoo 126
126. Incomplete tattoo, hair grown over markings 126
127. Slight tattooing with hair 126 Iha[unclear: a]ka
128. A Maori sailor 127 Anaru
129. The engineer of the Gate Pa 127 Penetaka
130. Wounded Maoris (with slight tattooing) 128 Reweti
131. Preserved heads of Maori warriors arrayed in robes and displayed by their conquerors 131
132. Specimen at Saffron Walden Museum; head of woman, with post-mortem tattooing only, probably done for sale 133
133. Taraia (a Chief who cooked two native Christians in 1842), fully tattooed, fine specimen 143
134. A specimen in Author's collection, head preserved by friends. Showing varying pattern on cheeks 145
135. Preserved head of a Maori baby (in King's College Museum, London) with grey glass eyes added by a European taxidermist 146
136. Specimen in Author's collection 149page xx
137. Specimen in Author's collection; glass eyes added 150
138. Specimen in Author's collection; lips with blue dye 151
139. Specimen in Author's collection, showing tattooing on neck 152
140. Specimen in Author's collection, fully tattooed head 153
141. Specimen in Author's collection, showing work done with fine instruments 154
142. Specimen in Author's collection, forehead and nose completed 155
143. Specimen in Author's collection 156
144. Same head as Fig. 134 157
145. Mourning over the head of a friend. (After the Rev. Mr. Yates) 159
146. Head with false eyes inserted by native taxidermist 161
147. Head of a boy with post-mortem moko, in the possession of J. W. Colmer, Esq. 162
148. Specimen in Author's collection 163
149. Specimen in Army Medical Department at Washington, U.S.A. 164
150. Head of a Chief 165 Paikia
151. Bargaining for a head, on the shore, the Chief running up the price 168
152. Offer of a living mokoed head for sale 171
153. Opening at the neck showing a hoop and sewing of flax 172
154. Group of heads in the Museum d'Histoire Naturelle, at Paris; one is a skin mounted on a plaster east 174
155. Specimen in Royal college of Surgeons 184
156. Specimen in Royal College of Surgeons 185
157. Specimen in Royal College of Surgeons 186
158. Beared specimen in Royal College of Surgeons 187
159. Specimen showing some post-mortem tattooing. Royal College of Surgeons 188
160. Specimen in Royal College of Surgeons 189
161. Specimen in British Museum. The best in that collection 190
162. Specimen in British Museum. Lips cut after death 191
163. Specimen in British Museum 192
164. Specimen in British Museum 193
165. Specimen in Author's collection 194page xxi
166. Specimen in St. George's Hospital, London 195
167. Specimen in Museum at Halifax, Yorks; showing bands of tattooing on cheek 196
168. Specimen in Museum at Halifax, Yorks; showing unfinished nose 197
169. Specimen in Berlin Museum 198
170. Specimen in Berlin Museum 199
171. Specimen in South Kensington Museum 200
172. Baron Von Hügel's collection, Cambridge 201
173. Specimen in Ethnological Museum at Florence. Pattern scratched in 202
174. Specimen in Auckland Museum, N.Z. 203 Moetara, or Koukou
175. Specimen in Canterbury Museum, Christchurch, N.Z. 203
176. Specimen in the Ethnological Museum at Florence 204
177. Specimen in Oxford University Museum 205
178. Specimen in Göttingen Museum 206
179. Specimen owned by Professor Giglioli, of Florence 207
180. Specimen in Plymouth Museum 208
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