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The New Zealand Railways Magazine, Volume 5, Issue 1 (May 1, 1930)

Hive of Industry

Hive of Industry.

At the time of my visit Mr. Hamilton was working with a staff of about eight. They were all busily engaged doing the complete carving for a new and important pa to be erected in the Gisborne district. When I first entered I was astonished at the air of industry in the place. Every single man was working as if his very life depended on each stroke of the chisel. You could see the perspiration flowing off their faces. It was their evident enjoyment of the work that struck me even more forcibly than their display of energy. The explanation is interesting. In the first place their livelihood does not depend on the work. Sometimes a man approaches Mr. Hamilton in a slack period. “Oh, what chances of a job, boss?” “Nothing doing now, but you can come back in three weeks' time.” Away goes the Maori grinning cheerfully, returns faithfully in three weeks' time, and just as cheerfully departs again if he is not wanted. There is no need to worry for, in the meantime, he can attend to his little plot of ground or live on the communal resources. And when the work does come, he tackles it with an enthusiasm that Mr. Hamilton finds positively embarrassing. For example, the men pleaded with him to start work at six o'clock in the morning. Finally, he had to meet them half-way by commencing at seven. Again, on the day after New Year's Day, usually a holiday, they elected to work. They love their work, and do it very much for its own sake, since the desire to create something, to achieve some artistic effect, is an impulse deeply rooted in the Maori mentality. Perhaps I should drop one hint in case you should visit here in the near future: One or two of the present staff are of gigantic bodily size, and they are extremely self-conscious and sensitive about it. Mr. Hamilton himself is a person apart. From a life-long association with the Maoris, he is intimately versed in their ways and outlook, and impresses the observer as being more of a foster-father than a boss. Here, in a quiet way and in a quiet place, and with unbounded capacity and enthusiasm, he is pioneering a work for which the whole Maori race will have reason to thank him.

“The sunny scenery's strange extremes”.—Alfred Domett. (Rly Publicity Photo) The village of Ohinemutu, shewing the Maori Church (famed for its exquisite Maori carvings), and Lake Rotorua in the background.

“The sunny scenery's strange extremes”.—Alfred Domett.
(Rly Publicity Photo)
The village of Ohinemutu, shewing the Maori Church (famed for its exquisite Maori carvings), and Lake Rotorua in the background.

The third interesting building is the Maori Church, which stands at the other end of the open space. The carvings in the church are exquisitely done, and near the vestry are suspended the historic, tattered flags, which were carried by the loyal Arawas during the Maori wars and afterwards presented to the Church. On either side of the entrance, too, are interesting reminders of the past in the shape of hand-some tombstones and monuments erected to the memory of distinguished chiefs whose records, unfortunately for the curiosity of the page 54 average Pakeha, are locked up in the Maori inscriptions.