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Making New Zealand vol 01 no 02: The Maori

Canoes Embodied Traditional Art and Were Finely Carved

page 20

Canoes Embodied Traditional Art and Were Finely Carved

When the ancestors of the Maori arrived in New Zealand their vessels were probably large outrigger canoes of the type common, even to-day, in the Polynesian islands of the Pacific. But the Maori found in his new home large timber from which a big canoe could be cut. With the addition of a top-strake the canoe would be fit for sea-faring. Both the double canoe and the outrigger canoe gradually fell into disuse. Cook saw both types of canoe during his visits to New Zealand. Thereafter, however, the single wide-beam canoe displaced the other forms of Polynesian canoe as far as the Maori were concerned.

The Maori were expert canoe builders. A suitable tree was felled by partial burning and chipping with the stone adze. Along a path made from forest to sea, the tree was hauled on skids by the combined man-power of the tribe. By the sea the real work of making a canoe began. The inside was adzed out. Elaborately carved stern-piece and bow-piece were fashioned, finished, and fitted to the hull of the canoe. Bailer and masts, sails and paddles were wrought according to traditional design. Finally the canoe was launched with befitting priestly ceremonial.

Large ornamented war canoes were from 60 to 100 feet long with a beam of perhaps seven feet. Plainer, rougher canoes were used for fishing and river work. They were rarely carved or decorated.

Mount Egmont and a Maori war canoe, from Angas's 'The New Zealanders Illustrated' (1847). This gives a good picture of a Maori canoe at sea with lateen sail and carved prow and stern pieces.

Mount Egmont and a Maori war canoe, from Angas's 'The New Zealanders Illustrated' (1847). This gives a good picture of a Maori canoe at sea with lateen sail and carved prow and stern pieces.

H. G. Robley's 'Moko' (1896 includes these sketches of a Maori and the prow of a war canoe. The author comments on the fine carving of the prow. The spiral of the Maori's tattoo should be compared with the design of the carving.

H. G. Robley's 'Moko' (1896 includes these sketches of a Maori and the prow of a war canoe. The author comments on the fine carving of the prow. The spiral of the Maori's tattoo should be compared with the design of the carving.

page 21
A Maori war canoe, drawn by Captain Cook's artist. This shows again the beautiful carvings with which the Maori ornaments his canoes. Leaders standing in the canoe chant the rhythms for the paddlers to follow.

A Maori war canoe, drawn by Captain Cook's artist. This shows again the beautiful carvings with which the Maori ornaments his canoes. Leaders standing in the canoe chant the rhythms for the paddlers to follow.

A fortified village. This picture is also from the account of Cook's first voyage. Note the inaccessible site of the pa, the canoes drawn up on the beach to the right, and compare the fort with the one drawn on the left of page 24.

A fortified village. This picture is also from the account of Cook's first voyage. Note the inaccessible site of the pa, the canoes drawn up on the beach to the right, and compare the fort with the one drawn on the left of page 24.