Sport 30: Peter Black-Real Fiction
Contents
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- [covers] — by Brendan O'Brien
- [untitled] p. 1
- [title page] p. 9
- Contents
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- Gregory O'Brien & Lara Strongman — Real Fiction — by Gregory O'Brien p. 10
- Mark Amery — Snap Happy — by Mark Amery p. 12
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Bill Manhire
- Unusual Film Idea — by Bill Manhire p. 17
- The News — by Bill Manhire
- Emma Bugden — by Emma Bugden (unavailable) p. 18
- Jenny Bornholdt — Family Photograph — by Jenny Bornholdt p. 19
- Laurie Duggan — Tilt — by Laurie Duggan p. 20
- Lara Strongman — by Lara Strongman (unavailable) p. 23
- Dinah Hawken — The Tethering of Trees — by Dinah Hawken p. 26
- Ian Wedde — At Home in the Dark — by Ian Wedde p. 28
- Luke Strongman — by Luke Strongman (unavailable) p. 30
- Ashleigh Young — Old Car — by Ashleigh Young p. 31
- David Eggleton — Clicker — by David Eggleton p. 32
- Neil Pardington — In Moving Pictures — by Neil Pardington p. 34
- Tina Regtien — Vocal — by Tina Regtien p. 35
- Jim Barr & Mary Barr — by Jim Barr (unavailable) p. 36
- James McNaughton — Deposits — by James McNaughton p. 38
- James Brown — You Live Here — by James Brown p. 39
- Lucy Alcock — by Lucy Alcock (unavailable) p. 40
- Gavin Hipkins — by Gavin Hipkins (unavailable) p. 42
- Ken Bolton — re Peter Black — by Ken Bolton p. 44
- Mary Macpherson — Now — by Mary Macpherson p. 47
- Blair French — by Blair French (unavailable) p. 48
- Rebecca Wilson — by Rebecca Wilson (unavailable) p. 50
- Gregory O'Brien — Dark Room — by Gregory O'Brien p. 52
- Andrew Johnston — Bonjour La France — by Andrew Johnston p. 53
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Gregory O'Brien — The Place Where They Live — by Gregory O'Brien p. 55
- [untitled] p. 55
- Disquietude And Its Characters
- Almost Nothing
- The Reflection of the Photographer in the Shopwindow Takes a Picture of the Photographer p. 56
- Preservation Act
- Down Time
- Street Level p. 57
- Real Fiction p. 58
- Dog in Mercedes Benz
- Animal World
- Unconsciousness p. 60
- Film Noir / Camera As Cinema p. 61
- Yin Yan You're My Thing p. 62
- The Camera is a Factory Making Parentheses p. 65
- End of the Road
- Ground Rules p. 67
- ‘Love today is weaker, paler than in the past’ p. 68