Sport 20: Autumn 1998
Stephanie de Montalk — ‘Blokes can relate to concrete’
Stephanie de Montalk
‘Blokes can relate to concrete’
In the weeks before he laid the path
to the front door
and put in steps
from the side entrance to the basement
he went to the library and borrowed a manual,
sat weekends at a website,
and talked at length in his lunch hour
with others
who had made the journey before him.
Concrete's a male thing, he said
we appreciate the details of durable materials,
the comparative benefits of embedded metals,
and the step-by-step techniques
by which reinforced steel
in the form of rods, bars, or wires
can be stretched and retracted
to pre-determined limits
better than you do
blokes can relate to it
we have a sense of it
there's a lot more to concrete
than the bonding
of sand and water
with stone and cement,
there's a history of structural form to consider
page 29
think of the lighthouse
after oil lamps, torches, and antiquity
I'm talking about isolated rocks
exposure to the sea,
strength without mass
a slender tower,
a spiral base,
and a design which allows a cylinder
to be set in the sea
think of the way it sets
around the tautly drawn wire
in the curves,
and reinforced spans
of the world's major bridges,
think of the classical example
of the Colosseum,
iron clamps in its joints
enclosed on all sides
and the small volume of poems
around 80 AD
which celebrated its construction.
There are correlations, he murmured
between concrete,
cubism
and the visual construction of verse
you can make a poem
out of concrete items
like iron
or eggshells,
page 30
in the case of rain
you can let the letters fall in long slanting lines,
consider e.e. cummings
famous for his typographical eccentricities,
or the visually innovative man
in his workshop
making goddesses for the garden
and gnomes
with knives in their backs.
He is doing a similarly tangible thing.
I'm told that his aliens,
Mexicans,
and tyre-marked opossums
are popular
that people have been known
to write the names of their pets
on the necks of the replicas
he makes for them
but perhaps I'm straying nearer to philosophy here—
concrete as distinct from abstract
it's an interesting area—
concrete as real life,
concrete as a bird
balanced with precision
on the uppermost branch of a tree,
as a boy riding a skateboard,
as existential experience
as concrete as rigid paving
page 31
this could mean we are talking
vegetation clearing,
earthmoving,
graders and bulldozers
the size and weight of traffic using the highway
the possibility
of underground streams,
a system by which we can carry rainwater,
to shallow gutters
at the edge of the shoulder
and the likelihood of erosion
if the steps are cut
into the wrong sort of hillside
in which case
we'll need a building code
for the slope
and a plan of action
should ground water drain
down the back of the section, and
the earth start to slip
in the absence
of a retaining wall.
Look at this diagram—
sub-base,
compaction,
and a layer of concrete,
it raises questions of
shrinkage,
temperature control
page 32
and warping of the slab
due to moisture variations
between top and bottom
and means that
on a summer's day
hosing of the garden
or lawn
on either side of the pathway,
or more particularly
the steps,
could lead to
cracking
crumbling
and the undignified sight
of concrete
losing its grip on the hillside.
His path to the front door
was an unqualified success
later, he built the steps
to the basement,
and every one of them
was unique.