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Arts and Crafts of the Cook Islands

Figure 223.—Mitiaro gods, broken arches and feather decoration. a, central column (1), 8 mm. in diameter; perfect arch (2) 38 mm. between upper and lower pillars, and broken pillars (3) of other arches on same level may be seen; lozenge-chevron motif (4) used (British Mus., 2060). b, only specimen of series which has sennit braid decoration still attached to it; feathers and braid with transverse tufts of fiber are placed vertically in grooves between carved ridges and then tied in position by …

Figure 223.—Mitiaro gods, broken arches and feather decoration. a, central column (1), 8 mm. in diameter; perfect arch (2) 38 mm. between upper and lower pillars, and broken pillars (3) of other arches on same level may be seen; lozenge-chevron motif (4) used (British Mus., 2060). b, only specimen of series which has sennit braid decoration still attached to it; feathers and braid with transverse tufts of fiber are placed vertically in grooves between carved ridges and then tied in position by transverse turns of thin white tapa (1); black feathers (2) project about 145 mm. above tapa; braid with cross tufts, which may be seen in middle of figure, projects beyond binding for 160 mm. (British Mus., L.M.S., 107).

Figure 223.—Mitiaro gods, broken arches and feather decoration. a, central column (1), 8 mm. in diameter; perfect arch (2) 38 mm. between upper and lower pillars, and broken pillars (3) of other arches on same level may be seen; lozenge-chevron motif (4) used (British Mus., 2060). b, only specimen of series which has sennit braid decoration still attached to it; feathers and braid with transverse tufts of fiber are placed vertically in grooves between carved ridges and then tied in position by transverse turns of thin white tapa (1); black feathers (2) project about 145 mm. above tapa; braid with cross tufts, which may be seen in middle of figure, projects beyond binding for 160 mm. (British Mus., L.M.S., 107).